Vikas Swarup - Q&A

I bought this book very hesitantly. I’m wary of bestsellers, and the way everyone was bigging this up, I was sure this would be a repeat of The Da Vinci Code or The Kite Runner - two books everyone I know loved, but I could barely get through them. For once, I was pleasantly surprised.

The book follows the story of Ram Mohammed Thomas, an eighteen year old waiter, whose extraordinary life has led him to win a billon rupees as part of a quiz show: Who Will Win A Billion? An eighteen year old who has lived in Mumbai, Delhi, and Agra; who has learnt how to survive and look out for himself; who has worked for a famous Bollywood actress; who always looks to protect people - truly an extraordinary boy. The producers of the show don’t have enough dough to actually pay the winner, so they accuse him of cheating, in order to escape paying him money they don’t have. Quoting the book: He’s never been to school. He’s never even read a newspaper. There’s no way he could have won the top prize.

The book itself, is divided into twelve chapters, which detail twelve incidents of the protagonist’s life which lead him to correctly answer the twelve questions on the quiz show. The irony is, the author doesn’t know what the capital of America is. He doesn’t know what the capital of France is. Yet, he knows what the capital of Papua New Guinea is (to be honest, even I didn’t know what it was before reading the book). It does seem surreal. He does get a lucky break in the second question, where he doesn’t know the answer but the host of the show helps him out. Ram (or if you like, Mohammed. Or, if you like Thomas. The protagonist adopts whichever name is most apt for the situation all the time, anyway) relies on a keen memory (and luck) to take him all the way. As they say, quizzes aren’t as much tests of intelligence, as they are tests of memory. And as the book ends, Luck comes from within.

The social implications of this book are equally important, in my opinion. Of course, there are subtle hints surrounding identities of various cricketers and Bollywood stars (two of the primary obsessions of the billion people that occupy India) who are referenced in the book; some of whom are directly named. But, it takes it a few steps further. There’s this one quote, that resonated in my head long after I had finished the book: We Indians have this sublime ability to see the pain and misery around us, and yet remain unaffected by it. I think that pretty much sums it up (to be fair, it’s true for most of the world). While reading the book, we witness incidents of incest, pedophilia, prostitution, petty thievery, exploitation of the poor and unfortunate by their class counterparts, espionage, betting and god knows what else. Stories of rich people dismembering/blinding children and turning them into beggars, of dacoits robbing trains, and of people turning a blind eye to social no-nos happening in their own neighborhood are descriptive, believable and well told.

It also highlights the attitude of the poor, where their ambitions are not to be a doctor or a lawyer, or someone rich. Instead, they want to be like the elders around them: wardens, cooks, cleaners etc. They have attributed the glitz and glamor of the Bollywood world to a place that doesn’t really exist, and they’re convinced it’ll never be them who have so much (money, cars, big houses). The key for most people afflicted with the disease of poverty, is survival, or making the most of what they’ve got, instead of harboring unrealistic dreams. Even when Ram’s robbed on the train and loses all his money, he runs away and starts from scratch, without dwelling too much on all he’s lost.

The book is simple, unpretentious and genuinely feel-good. It’s easy on the eyes, fast-paced and interesting. The protagonist is a likable realistic character, and you can’t help but sympathize and empathize with him.

Overall, I’d say a 7 on 10.

Mary Higgins Clark - Where Are You Now

I saw this book in a WH Smith in Euston, and bought it immediately, being a huge fan of Mary Higgins Clark. Why, and how is this relevant, you ask? Well, because I normally don’t buy books from WH Smith, let alone the ones in Euston, where the queues are so long that by the time it’s my turn probably three of my trains have come and gone. However, the prospect of reading a new suspense thriller was enough to convince me that the wait in the queue would be for the greater good.

The book focuses around twenty-six year old Carolyn, a lawyer on the brink of beginning her career, who decides to look into the sudden and mysterious disappearance of her older brother ten years earlier, to attain closure. Mack, a senior in college at the time was about to graduate. Yet, he disappeared one fine day, and ever since, only called up his family once a year, on Mother’s Day, to let them know that he was alive and well. It’s the one day of the year their mother looks forward to.

Even the death of their father on 9/11 doesn’t bring him home. This seems strange and unnatural.

Carolyn convinced that her older brother is in some kind of trouble, begins her investigation. She talks to a detective, hoping for help, but is quickly dismissed. However, when young women start disappearing, the detective finds reason to believe that Carolyn’s brother is a key suspect. Clues begin to emerge, Carolyn is convinced of her brother’s innocence, and she sets out on a full-fledged investigation, talking to the house babysitters of her brother’s college apartment, his roommates, and girlfriend, and digging into the events of a decade earlier. Of course, while all this is going on, her mother is blaming her for destroying her brother’s reputation.

As the plot thickens, and both, Carolyn and the detectives set out to find the truth, the results are surprising. The book’s a page-turner (as you’d expect it to be), and I challenge any reader to determine the guilty party and their underlying motivation for the crime.

Thoroughly enjoyable. Vintage Mary Higgins Clark. 7 on 10.

Aldous Huxley - Brave New World

A book set in the future, but has a title inspired by Shakepeare’s The Tempest, Brave New World details a dystopian society. However, if you’re expecting to see shades of Orwell’s 1984, you’re in for a surprise. On the other hand, there are some small comparisons that can be made with Bradbury’s Fahrenheit 451, another dystopian world, where literature is banned. Of course, this is where the similarity ends.

So, no CCTVs, no Big Brother, no society where the police state is taking over. What, then, makes Brave New World a dystopia? Well, ironically enough, it’s that everyone’s happy - happy with their job, their life, and the way things are. There’s a catch (there’s always a catch): everyone in this world is born and bred, in a lab, and effectively, they’re ‘programmed’ to think and act the way they do. Even their happiness is programmed, by hypnopaedia or sleep-teaching; where tapes are played repeatedly to sleeping children, thereby ensuring that the content of these tapes become part and parcel of their personality. The various castes - Alphas, Betas, Gammas, Deltas, Epsilons - are all happy and content being what they are, while simultaneously being happy that they do not belong to a different caste. (Alphas are the intellects, Epsilons the physical laborers)

The main motivation behind creating a world like this is to ensure peace and stability, constant happiness and painlessness. Literature or books from the ancient society are not allowed, for they might actually allow someone to think and perceive beauty of some sort. And beauty, attachment and affection is strongly discouraged. Conversely, recreational sex and drugs (soma) are encouraged. Everyone belongs to everyone else - that’s the fundamental premise. Of course it gets slightly disturbing when we read of children indulging in erotic play, and people being astounded that in the olden days, this was not general practice...

However, this is as much of a story about Bernard Marx, one of the few dissatisfied souls in this pseudo-utopian world, as it is about the world itself. Marx, probably suffering from a complex of sorts due to his physical traits resembling that of the inferior class, Epsilons, is vocal about some of his inhibitions with the society as it stands. The obvious solution, according to him, is to visit one of the ‘Savage Reservations’ - a place where the Old World still survives, and is left untouched and untainted by the advancements of the New World. He visits the Reservation with Lenina, a girl he’s enamored with (a girl who is happy and satisfied with the way things are, and lives up to what she’s imbibed during her childhood sleep-teaching). While she is thoroughly grossed out by this world, Marx feels enlightened, specially on talking to one of the inhabitants of this world, only to learn his mother once belonged to the New World, a world she misses greatly (read, she misses life without soma greatly). Marx and Lenina accompany the two (mother and son) back to their civilization, and the events that unfold as a result keeps the reader hooked on.

This is a world I found difficult to imagine, or for that matter, even live in. Truth be told, I’d rather have been a member of the archaic 1930s Reservation than a part of a world that uniform and surreal. Bizarrely enough, it seems as though, according to Huxley, to be in a world of utter ecstasy, we need to detach ourselves from everything that makes us happy in this world: family, parents, birth, and love. Or, of course, we can take the hedonist approach and fuel up on the real X.

There are hints, some subtle, some not so much, of who various characters of the book are inspired by. The obvious ones are Freud (the Ford, i.e. their equivalent of Lord), Karl Marx, Darwin, Napoleon and Henry Ford (i.e. the founder of Ford Motors), while there are a multitude of references to Shakespeare, Malthus and Wells. It would be really interesting to dig deeper and determine the inspirations for all the characters. Of course, that would make the whole book piece together as well.

If you’re into alternate realities, or the endless possibilities that there are, or, for that matter, how people let their imaginations run away with them, this is a definite must-read. Also, if you enjoyed the likes of 1984, Fahrenheit 451, and Men Like Gods, it’s almost guaranteed that you’ll be fascinated by Huxley’s contribution to the dystopian ideology.

Overall, 8.5 on 10.

David Mitchell - Number9Dream

Although really difficult to read at times, as the book continuously drifts between fantasy and reality, this book was thoroughly enjoyable. While it’s the first book I’ve read by Mitchell, it definitely won’t be the last.

The book kicks off in a cafe in Tokyo where nineteen year old Eiji Miyake introduces himself, and the quest he’s on: to find his father, a man he’s never met, a man whose name he doesn’t know, and a man who has always been a mystery to him. The start itself entices you to read on:

It is a simple matter. I know your name, and you knew mine once upon a time: Eiji Miyake. Yes, that Eiji Miyake. We are both busy people, Ms. Kato, so why not cut the small talk? I am in Tokyo to find my father. You know his name and his address. And you are going to give me both. Right now. Or something like that. A galaxy of cream unribbons in my coffee cup, and the background chatter pulls into focus. My first morning in Tokyo, and I am already getting ahead of myself.

As the story unfolds, we are informed of the people Eiji meets in the city, the people he befriends - some who betray him, and some who continue to be helpful towards him. Throughout the narrative, he reflects on his past: his dead twin sister, and his alcoholic mother who had a brief, almost non-existent role, in his childhood.

The title inspired from Lennon’s 1974 song: #9 Dream (So long ago, was it in a dream, was it just a dream? I know, yes I know. Seemed so very real, it seemed so real to me), the book traces his adventures in Tokyo, as he gets involved with what seems to be the Tokyo equivalent of the mafia (Yakusa), meets a girl who, for the first time, almost makes him forget his dead sister for long intervals, and gets in touch with a man who claims to be his grandfather, who provides Eiji with a diary from his days as a kaiten pilot during World War II. He absconds to the house of his boss’s sister, and reads anthropomorphic short stories written by her; finds an alternate reality in roleplaying video games and contemplates whether his father is a politician, a member of the Yakusa or a doctor. If that’s not enough drama, his estranged mother tries to get back in touch with him, and the new wife of his father threatens him.

The book is fast-paced, interesting, and draws you in. There are characters you love, characters you hate, disturbing scenes you can vividly imagine in your head (e.g. when he goes bowling with a man who promises him information about his father), and all this mingled in with the overactive imagination of the author. Sometimes, you aren’t sure if what you’re reading is real, or just a dream, and sometimes, you just end up hoping it’s dream...

Overall, for me, a 7/10.

Philip K. Dick - Do Androids Dream Of Electric Sheep

You have to love the name of the book. That was reason enough to pick it up! Androids, and electric sheep. What could possibly make more sense? Seriously, the name of the book intrigued me enough to pick it up, just to see how bizarre sci-fi could get. It’s not as bizarre as it sounds, if it helps...

The book is based in a sparsely populated earth, whose inhabitants have fled the planet post a war that has rendered most of the world (as we know it) a thing of the past. Animals are endangered, there isn’t much greenery, and most of the people who have stayed on have been forced to, due to the radiation leading them to become ‘chickenheads’. Do Androids Dream of Electric Sheep follows the quest of a bounty-hunter, a person who has to retire andys (androids) who are on the planet illegally, to kill six (of eight) andys who are superior to earlier models, and can almost pass off as humans. Eight of these new andys (Nexus-6 cylons) made their way to earth; two were retired by a senior bounty-hunter who was later injured while trying to retire the remaining six. Rick Deckard is given the task of retiring the remaining six, who are more advanced, tougher to retire and use their wit and trickery to escape being the victim of bounty-hunters.

In this post-apocalyptic world, where animals are endangered, all Rick really wants is a real animal. He is the owner of an electric sheep (bought when his ‘real’ sheep died of tetanus), but that is more of a status symbol, as opposed to the real thing. He yearns for the day he will be able to afford a real animal, and constantly thumbs through the Sidney Catalog, a catalog where the prices of various animals are listed, as well as their classification (E for Extinct). In fact, when he gets paid for retiring some of the Nexus-6 andys, he goes and pays a deposit for an animal - something to take care of.

While this has all the elements of a good sci-fic book, it also explores various philosophical questions like, what does it mean to be human? and, how do humans distinguish androids from themselves. The key is empathy (the Voigt-Kampff test, i.e. the test used by humans to determine if someone’s an andy or not is based on empathy - how they react to certain emotions, situations and questions. e.g. You are reading a magazine, and you come across the picture of a nude woman.). As the book progresses, Deckard faces challenging questions like, should he really be killing a woman andy who is an opera singer, and brings much joy to the world with her talents? And, what right does he have to rob someone of their life, even if they are not human?

This book, as the cover proudly proclaims, ended up becoming the basis for the movie, Bladerunner. I haven’t actually seen the movie, but the book was interesting and gripping. Based in the future, in a world where humans can program their moods, and people can actually buy electric animals that closely resemble real ones, where human beings are encouraged to leave the planet in order to ensure the survival of the human race, this book is an interesting and gripping read. It makes you wonder about people, about humanity and the characters of some of the people (supposedly human) that Deckard comes into close contact with, during this mission.

Overall, a 7 on 10.

Anne Holm - I Am David

A young boy, with the help of a prison guard, escapes from a concentration camp and tries to find his way to Denmark. David is convinced that there is some kind of catch, and there will be people waiting to catch him, punish him and throw him back in the camp, at every point during the initial stages of the escape. Only then does he start believing he can actually escape, and leave the horrors of the concentration camp far behind.

The book almost reads like an adventure story, as it depicts the innocence, kindness and bravery of the twelve year old, who has never experienced the outside world, who does not know what most fruits are, and who actually voluntarily asks for soap as one of the things he’d like to have when he escapes. We read of how paranoia makes him run away, how he risks his own life to save that of a young girl, of how he sticks to his ethics and morals through everything, and how he still manages to find pride in what he does and does not succumb to being treated with contempt (in this case, by an American couple who reckon he’s a mischief-maker).

The end of the book is beautiful and happy, unlike some other children’s books based in the same era, and lots of questions that probably come to the mind of the reader are answered (why did the prison guard help his escape, being the key one).

A feel good book. 6.5 on 10.

It's Late In The Evening

... and she's wondering what clothes to wear ... whereas, I'm wondering about WordPress, and my first post, here: a world where goblins lurk, demons dance, monsters dwell and pixies make merry. If you're lucky, you might catch a quick glimpse of reality. Or, is that supposed to be "if you're unlucky". I forget.  It's a world of digressions, meanderings and ramblings. A world of literature and music. Apple and Oranges (seriously - keep your eyes peeled). Contradictions and Controversies. Most importantly, it's about me unleashing my narcissistic self into the blog-o-sphere. And for that, I apologize (you'll find, I do that a lot). 

Thanks for stopping by.